I’m about halfway through, and I just happened to notice the “Study Questions” at the back–they’re hysterical! I’ll include them for you Audible folk:
spoilers ahead
Pride and Prejudice and Zombies is a rich, multilayered study of love, war, and the supernatural. We hope these questions will deepen your appreciation and enjoyment of this towering work of classical zombie literature.
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Many critics have addressed the dual nature of Elizabeth’s personality. On one hand, she can be a savage, remorseless killer, as we see in her vanquishing of Lady Catherine’s ninjas. On the other hand, she can be tender and merciful, as in her relationships with Jane, Charlotte, and the young bucks that roam her family’s estate. In your opinion, which of these “halves” best represents the real Elizabeth at the beginning—and at the end of the novel?
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Is Mr. Collins merely too fat and stupid to notice his wife’s gradual transformation into a zombie, or could there be another explanation for his failure to acknowledge the problem? If so, what might that explanation be? How might his occupation (as a pastor) relate to his denial of the obvious, or his decision to hang himself?
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The strange plague has been the scourge of England for “five-and-fifty years.” Why do the English stay and fight, rather than retreat to the safety of eastern Europe or Africa?
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Who receives the sorrier fate: Wickham, left paralyzed in a seminary for the lame, forever soiling himself and studying ankle-high books of scripture? Or Lydia, removed from her family, married to an invalid, and childless, yet forever changing filthy diapers?
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Due to her fierce independence, devotion to exercise, and penchant for boots, some critics have called Elizabeth Bennet “the first literary lesbian.” Do you think the authors intended her to be gay? And if so, how would this Sapphic twist serve to explain her relationships with Darcy, Jane, Lady Catherine, and Wickham?
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Some critics have suggested that the zombies represent the authors’ views toward marriage—an endless curse that sucks the life out of you and just won’t die. Do you agree, or do you have another opinion about the symbolism of the unmentionables?
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Does Mrs. Bennet have a single redeeming quality?
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Vomit plays an important role in Pride and Prejudice and Zombies. Mrs Bennet frequently vomits when she’s nervous, coachmen vomit in disgust when they witness zombies feasting on corpses, even the steady Elizabeth can’t help but vomit at the sight of Charlotte lapping up her own bloody pus. Do the authors mean for this regurgitation to symbolize something greater, or is it a cheap device to get laughs?
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Is Lady Catherine’s objection to Elizabeth (as a bride for her nephew) merely a matter of Elizabeth’s inferior wealth and rank? Or could there be another explanation? Could she be intimidated by Elizabeth’s fighting skills? Is she herself secretly in love with Darcy? Or is she bitter about the shortcomings of her own daughter?
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Some scholars believe that the zombies were a last-minute addition to the novel, requested by the publisher in a shameless attempt to boost sales. Others argue that the hordes of living dead are integral to Jane Austen’s plot and social commentary. What do you think? Can you imagine what this novel might be like without the violent zombie mayhem?
I invite my fellow readers to answer any or all of these questions, as the mood or muse strikes. Have fun!