Profit means little in Hollywood? I would think not.
The commpendium 5th printing ( the one with ST IV in it) states that the studio, critics, and fans hated TMP so much there was talk of haveing it stricken from cannon.
What, every single critic and fan hated the film? This is what gets me, people talking about “the fans” as though they/we are some monolithic entity. If you go back and read those Best of Trek fan essay (non-fiction) volumes published between 1979-82, you will read essay after essay that, while admitting TMP has its faults, nevertheless explores the movie in great depth, with respect and a lot of affection. So I don’t know where Allan Asherman is getting that “the fans hated it so much,” etc.
And, look, again, I’m not arguing it’s the best of the films. But the bottom, unarguable line is that, without it, “Star Trek” would be dead (though probably not forgotten) like so many other 60s TV shows, maybe still waiting for a big-screen reboot. There would be no ST II-Nemesis, no TNG, DS9, VOY, or ENTERPRISE.
I guess we are arguing about the definition of “success.”
The deciding fator in not doing that was that the studio owned it as a property and showed it yearly on ABC to decent rateings and it’s VHS did sell ( althou mostly to video stores) and that striking it from cannon could jeprodize this profit.
Proving, I guess, that for all that “the fans hated it,” they still watched and rented it. Repeatedly.
Coon produced EVERY good episode of TOS. Gene produced Spock’s Brain.
Frak, man, that’s harsh. Gene Coon was only with the series from mid-first season to mid-second, and, as Lee Cronin, he wrote “Spock’s Brain” (granted, it underwent severe rewrites, and I think he used his pen name out of embarassment). I’m not discounting Coon’s many important contributions to Trek, but frak it all, for all of his flaws, Rodenberry created the darned thing and everyone else was just playing around in his sandbox. And, btw, Roddenberry effectively left the show in the third season and was “executive producer,” and many if not most fans would argue that the series’ best episodes all aired in the first two seasons when Roddenberry was more actively involved in a hands-on way. Also, lots of fans consider some of those third season episodes to be classics: “The Enterprise Incident,” “Is There in Truth No Beauty?” for two examples. So, if you’re going to make a statement like the above – hey, them’s fightin words. Be ready to defend it.