This bugged the hell out of me at the time, but in the general hubbub of all the subsequent events got shifted back somewhat in priority.
Now, I think we can reasonably assume that the writers had a distinct purpose in developing the back stories in Daybreak. And it’s equally reasonable to suggest that time was an absolute critical commodity. Not a second was to be wasted. The expositions… of Tigh and Ellen’s cosiness, of Baltar’s troubled relationships with his father (and Six), Laura’s flesh-driven political epiphany, the Kara, Lee, Zak threesome, Anders philosophy in the tub, and Adama’s job interview.
The thing that threw me during the polygraph test was one of the ‘control’ questions: “Are you a Cylon?”
Where did this come from? I smelled a rodent immediately, even though it was laughed off. Think of the context: Supposedly no-one knew Cylons had taken human form. It had been forty years since a Cylon had been seen outside a museum. And back then, they was rather easily identifiable. Duh. Cylons were not news, they were basically forgotten - hence the museum.
Why this seemingly silly question? It’s a definite non sequitur, like being asked yourself in a polygraph test: “Are you a Viking?” or something equally bizarre.
I guess my ‘X-Files’ senses turned on somewhat. Is there a conspiracy on Caprica? Did some people know of human-form Cylons? Were government agents (or others) seeking to uncover them? Or (as in X-Files) working with them?
Given the importance of time, of how little there was to finish telling the story, having a silly aside like that seemed jarring, out-of-place. Unless there was a purpose. But buggered if I know what it was - in retrospect…