I’m sorry…I wholeheartedly disagree with the three of you in re: to Smokey and the Bandit/Cannonball Run and the racism/sexist undertones.
First of all…I think the racial tones of the Smokey and the Bandit movies were played more as a ‘don’t be this’ type of thing. It was played in such an ‘Archie Bunker’ sort of way that shone SERIOUS light on just how ‘off’ the character is. He was the 1970’s stereotypical small town sheriff…and he ate the role up. That isn’t to say that the n-bomb, or calling Sheriff Branford ‘Boy’ was ok…but look at the way that S&B handled the role of the black sheriff (Branford). He had probably the most eloquent vocabulary (“we’re apprised of the situation”, the fact that you are a sheriff isn’t germaine to the situation (Setting up the classic line “The God D*mned Germans got nothin to do with it”. )) of anyone else in the movie. In fact it could be said if anything the film was more racist toward white people than minorities as most of the characters (with the exception of Reynolds, Field, and Reed) were played 1-dimensional and in the case of law enforcement flat out stupid.
As to the greater conversation of misogyny that you spoke of during the cast. I am sorry but I find a lot of that unfounded too. While it’s apparent that there is misogyny in films and series…(with the idea that ‘sex sells’…) I think it’s a problem today when used in an exploitive manner…but (as in the case of Mad Men) when it’s used to accurately potray a period or TYPE of personality that if it wasn’t there would render the performance inaccurate…then that is something that we should aspire to hopefully to show that it’s a foreign concept and not something we should be looking to copy/emulate or aspire to.
Racism and Misogyny are wrong…but so are the reverse of those treated at men or other races as some sort of ‘recompense’ for those wrongs…if we start potraying all Southerners as racists, and all men as ‘wife beaters’…we’re the same as those who did the opposite in times past. Just my opinion.